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Ricardo Cuevas


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Archivo del blog

  • ▼  2008 (21)
    • ▼  octubre (21)
      • No More a Good Citizen
      • Text is king, bow down in bliss.
      • Third Guangzhou Triennial, China, 2008.
      • New York Times review on Landscapes for Frankenste...
      • Fear no thunder, nor lightning (Braille text/lands...
      • Projects at The Drawing Center Viewing Program
      • 12, 000 words often mispronounced
      • The Negative of the Text in Never Odd or Even, Mar...
      • Citando al Robot, 2005
      • Colophon (Master Humprey's Clock)
      • Index/Criminal offenses, Chapter 11 at the Interna...
      • The book of Intentions, Fourth issue of F. R. Davi...
      • The Sketch book of a hardworking drawer on The fou...
      • Opening of the "Master Humphrey's Clock" exhibitio...
      • Walking with the Ghost, 2005
      • Comets, 2005
      • Understanding at DAS PHANTASTISCHE GEHEIMNIS DES E...
      • One Day in a Perfect Darkroom, 2005
      • Gary Michael Dault's review on Beyond Love and Dem...
      • Beyond Love and Democracy at Gallery 44, Toronto 2005
      • Sin título

Datos personales

Ricardo Cuevas
Working from a conceptual framework based in text, books and photography, with its various discourses around selection, document, and archive Cuevas’s work is constantly probing the potential for misunderstanding, translation, and fragmentation. Ricardo Cuevas was born in Mexico City in 1978. He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End-of-the-Century Generation (Lehigh University Art Gallery, Pennsylvania, USA), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey’s Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, NL), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin). Most recently he took part of the Third Guangzhou Triennial in China. His first solo exhibtion was shown at the Banff Centre for the Arts in 2003. In 2005 he presented Beyond Love and Democracy, solo exhibition at Gallery 44 (Toronto). His work has been reviewed by newspapers as The New York Times and The Globe and Mail. In 2007 he was awarded with a residence at the International Studio and Curatorial Program, NYC.
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